Existing users of Shooter Suite 12 are eligible for a $99 Upgrade. Shooter Suite 12.5 is available now for $399. Red Giant LUT Buddy, Shooter Suite 12.5s color tool, allows you to bring those LUTs (and those from many other sources) directly to your editing timeline.Īll-in-all, this release of Red Giant Shooter Suite delivers more integration, greater camera/format support, and fantastic workflow, speed and accuracy improvements, making it easy to bring your footage from set to post with confidence. And, with the release of PluralEyes 3.5, comes BulletProof/PluralEyes integration, making it easy for BulletProof to hand off files to the popular audio/video sync app.īulletProof also allows you to export your color grading decisions, on set, as LookUp Tables. BulletProof 1.2 also includes a new file reference mode to help drastically speed up the process. The free update includes support for AVCHD and Canon MXF, opening it up to a world of new, popular cameras. Red Giant BulletProof is the Shooter Suites stand-alone application for reliable on-set backup and review of footage. This all comes on the heel of Red Giant BulletProof 1.2 – a recent, free update for owners of the Shooter Suite and BulletProof. Also, Red Giant Frames, a tool used to deinterlace older footage and convert it to 24P, is included as part of the suite. Red Giant Instant 4K, an update to Instant HD, includes speed optimization (up to 3-4X) and new presets geared towards higher resolution formats. The Shooter Suite upgrade also includes tools for bringing older or smaller formats onto your large-format timeline. Denoiser II gives shooters an essential tool for improving the quality of the video they shoot, especially when shooting in low light or at high ISOs. New to the suite is Denoiser II, Red Giants powerful video noise reduction plug-in. All around, it lets people get projects done more quickly. PluralEyes removes the time-consuming process of manual syncing that slows editors down, right before post-production. At the same time, editors dont have to pay for that freedom later. On set, it makes the shoots go faster by freeing up shooters from having to use clapboards or timecode, or for having to account for many cameras limitations. PluralEyes has revolutionized the way people work on and off set, said Bruce Sharpe, who originally created the app for his own projects. In addition, PluralEyes Replace Audio feature now supports many more media types than before, bringing this popular feature to a much larger group of users. PluralEyes 3.5 can fix this.Īn additional focus for this PluralEyes upgrade has been on improving and expanding support for more media types – including improved support for AVCHD cameras, with support for spanned clips. When filming long clips, cameras can lose sync with audio recorders because their recording speeds don’t match precisely. In this version, weve added a new feature called Drift Correction that allows PluralEyes to actively fix audio/video issues, generated directly in-camera, that can cause an inaccurate sync.ĭrift correction is a new feature unique to PluralEyes 3.5, and a solution to a problem that plagues many shooters. But there are many issues created in camera that make a sync virtually impossible. PluralEyes has always been great at taking what came out of your camera and audio devices and making them work together, as is, said Randon Morford, Shooter Suite product manager. PluralEyes literally saves hours or even days of audio/video syncing work, by analyzing the audio from all devices and automatically syncing them up with the touch of a button. PluralEyes 3.5, the latest update to Red Giants automated audio/video sync tool, brings expanded media support, more accuracy, drift correction and more to one of the editing industrys most popular tools.
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